Critique Group Basics
Guide for Critique Groups & Individual Critiques
by Ellen Dodson
Critique Groups:
Critique groups are a chance for valuable feedback from your peers. There should be no more than eight in a group reading and you will have a facilitator to keep things moving along. Everyone should have a chance to read and receive comments -- that is our goal. If you discover the value of a critique group at this retreat, you might want to join our critique group network and get into a group that meets throughout the year! Have pen and paper available (provided).
Rules for the Reader:
Rule 1. Everyone is nervous when they have to read in front of the group. Read slowly and remember that we are all here to help each other and that even the most well published writers have to polish their work over and over again before it ever sees an editor’s desk.
Rule 2. While you are being critiqued, stay silent unless asked by one of the critiquers to clarify something or re-read a section. If a section of the story is confusing or doesn’t make sense to a listener, it will probably be confusing to an editor, and the writer won’t have an opportunity to argue the reason why-suddenly-the-bunny- sprouted-wings (when it’s not a fantasy story), to an editor who is sitting at her desk in New York. Brevity is important.
This also goes for “setting-up” the story verbally before reading. A short synopsis, or if it is a selection from the middle of a book, a brief “lead in” is appropriate.
Rule 3. When your critique time is done, do not cut into someone else’s opportunity to read. Collect everyone’s written suggestions. Be gracious and say your thank yous.
Rule 4. If you have a scheduled editor or author critique during the group critique time, let the facilitator know before the group begins, so that the facilitator can arrange the readings accordingly.
Rules for the Critiquer:
Rule 1. This is an Annie LaMotte rule of critiques. “Point with the sword of truth. Don’t hack someone to pieces with it.” Honesty is appreciated, but all comments must be constructive and kindly delivered. Don’t dwell on only the negatives. Always find something you can compliment the writer on.
Rule 2. Wait your turn to critique and once your turn is done, you may not jump in during someone else’s turn. Write comments down on paper during the reading, so that the “nervous” reader doesn’t have to try to remember every suggestion, praise, or question.
Rule 3. Most importantly--Have fun! Enjoy being amazed by the talent of our fellow authors. And just think, your thoughtful comments and encouragement might have helped shape the next award-winning book on the shelf.
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